Puerto+Rico's+Music

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About Puerto Rican Music:

Puerto Rican music could be the island's most notable import. Back in the day of slavery, the only music in Puerto Rico that was imported from Spain were small chants and music with a religious theme.

One genre of music that originated in Puerto Rico was salsa. Its name comes from the Spanish word for "sauce," as it's believed that salsa music "fueled" parties. Salsa music is also believed to have originated in New York during World War II, and was created by Puerto Rican immigrants.

There is also two other genres of music that are famous in Puerto Rico are called "Bomba y Pelina." Bomba can be best described as "A dialog between dancer and drums," where it seemed like the drummer was challenging the dancer to a duel. Believe it or not, Bomba came from Africa and was carried over to Puerto Rico by slaves during the 17th century. The music in Bomba came from two drums that had animal skins covering one end. There was also another drum called a subidor, which was usually played with the bigger drum.

There is also pelina, which is a genre of music that blends different parts of Puerto Rican music, like the Taíno tribe's music that was played during ceremonies into one song, usually with a dance to go with it. This can be compared to making a meal with many ingredients, considering that there are many parts to making the final product. As you can expect, there are many instruments that go into playing a pelina song. For example, there is the guiro, which is a gourd that's dried out, with cuts on it. When these cuts are rubbed with a stick, they produce a somewhat rough noise. Pelina was also used to tell the most recent news in an area. It was also used to mock certain people, typically someone who would commit a crime or a politician.

What about music for today? Well, Ricky Martin is a famous Puerto Rican musician who is mostly known for his famous song "Living La Vida Loca." This song has won Ricky the Grammy Award for "Best Latin Pop Preformance." He was also featured in the Los Angeles Times, being called "The Latin Artist Watch for 1999."